It’s not like you just pick one person and that’s it. Of all the great producers out there, how did you land on Don Gilmore ? Let’s try in the practice room and experiment a little bit. So we just chill out and say “Let’s see what’s coming out. And then if people understand, will buy your record. So you just better try to be genuine and have fun with it. You never know if people are gonna love your record or not. To do what we really wanted to do without feeling too much pressure from outside or without trying too hard. We just decided the best way to write and record the album was to just be honest with ourselves. We’ve been growing as a band, and with sales album after album. Of course, I believe that the label was really nervous because you can never know if you can repeat the success of an album. So, do you put any pressure on yourselves after that success? We always feel like it could be better, like we could’ve changed this or that. But it’s not that I’m unhappy I’m just telling you that it could’ve been even better than it is. I would’ve worked a little bit more on the vocals. What parts of the production of Karmacode were you dissatisfied with? It’s gonna come out next month and we can’t wait to see how it goes. We’re happy about the evolution of the band. We’re absolutely happy – we were able to get the sound we wanted. We decided to record in the US for the first time with an American producer, which is another big change for us. We had a bigger budget because Karmacode was successful, which got us the opportunity to have a bigger budget for Shallow Life. This time, we took our time and stayed in the studio for a couple of months. Sometimes you need just a little more time to adjust everything or to make everything better. I think we could’ve worked more, but we didn’t have time. We weren’t 100% happy about the production. Going into the recording of Shallow Life, what was the mood of the band? How satisfied were you with Karmacode ? ‘Cause obviously I can’t sing two parts at the same time. Well, in the live setting, we use a DAT controlled by our drummer. How do you deal with that in a live setting? But I ‘m not taking particular care of my voice.Įspecially on 2006’s Karmacode, there is so much singing going on – even in addition to Andrea’s parts. It’s not like I go back to the bus every night and open a beer. I drink every once in a while, just for partying. I’ll warm up a bit later.’ I definitely should, but I don’t.īut on the other side, I don’t smoke and I’m not a huge drinker. But I’m Italian – I’m a lazy bum, so I’m always like ‘Yeah, whatever. I never warm up before I go on stage – which is pretty stupid, I would say. To be honest, it’s not that I’m taking care of my voice in terms of being obsessed with it.

But is your voice a finite thing? How much do you worry about limiting the band’s touring?

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